Soft Light (general) Best for front (fill light) and back light Throw = short distance onlyġ7 LIGHT FIXTURES SCOOP PAR CAN SIZE: 10” 14” 16” 18” The final moment of the play just before she dies in his arms.ġ6 LIGHT FIXTURES FRESNEL Sizes: 6”, 10”, 12” = (diameter of lens) Sizes: 6 x 9, 6 x 12, 6 x 16 (6=lens 9/12/16 =focal pt) Focused light Best for front light Throw = long distances 650W W (2) Plano-convex lens = )( bench focusing on back Use shutters for added focusing Used for “specials”ġ3 LIGHT FIXTURES SOURCE FOUR SIZES: 5’, 10’, 14’, 19’, 26’, 36’, 50’, 70ĭirectional spotlight THROW: long and short distance LAMP: watts 575 watt HPL equal to a 1000w lamp yet outperforms the length FOCUSING: lamp focus, rotating barrel & shutter OTHER: Gobo and Accessories Slots Cast Aluminum Construction with bulb in back of fixture = heat escapes out the back = SAFERġ5 SPECIALS The House of Blue Leaves General Lighting was used in this show, however, at the end, the lights slowly faded out except for one SPECIAL that was left on the two here. No food or drink near light board Use dust cover on light board Never touch the lamp with fingers Always wear gloves when focusing Wear closed toed, rubber shoes Report wet or damp conditions Know where the fire extinguishers areġ2 LIGHT FIXTURES ELLIPSOIDAL REFLECTOR SPOTLIGHT (ERS)
Theatre stage lighting design plus#
The cops shine their flashlights on her hands to help focus the audiences’ attention there.Ħ MODELING Using a stick gobo pattern to resemble the feel of hay/straw in the field.ħ MODELING, MOOD, STYLE The Elephant Man MODELING : using shadow to purposely emphasize the hidden desires and the frightening freaks MOOD: over stimulating with colored light, multiple light sources, multiple gobo patterns STYLE : non-realistic green light, chaotic patternsĨ LIGHT DESIGN CONTROLABLE QUALTIES OF LIGHTĭistribution: direction of light (light source), size, shape, quality Intensity: level of brightness Movement: timed cues, onstage/offstage lights practicals, light source Color: determined by gel color & intensityĩ PRACTICALS The Mousetrap The use of practicals in this set gives this murder mystery the ominous feel it needs, plus establishes the very real interior set these character will occupy, as they turn lights on and off lights upon entering and exiting.ġ0 COLOR The Elephant Man A dim fuchsia gel color on the Siamese twins, gives these girls the eerie feel the director was looking for as they stood there looking out at the audience in their freak show cage.ġ1 LIGHT SAFETY Keep equipment in good working order location, time, spaceĥ SELECTIVE FOCUS Wait Until Dark As the cops found Susie in the corner of the room, she stood up showing her hands, each bloody from the stabbing. Selective Focus: directing aud’s attention to look at a specific area/character on stage Modeling: using texture to emphasize the highlight or shadows of things, as to make “it” look real Mood: use of color to determine time of day or to emphasize emotional context of script/characters Style: realistic vs.
Visibility: light so aud can see actors, set, props, etc.
emotional energy of charactersģ ESSENTIAL QUESTIONS What precautions are necessary to insure the safety of the performers? How do the elements of Lighting Design work together to realize the director’s vision? To engage the audience through the use of Color Texture Mood Energy Cell Block Tango” – Chicago Light directs an audience’s FOCUS Lights allow the actors, action and artistic elements to be seen Used for more than practical lighting. Presentation on theme: "Technical Theatre LIGHT DESIGN."- Presentation transcript:
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